The Devil's In The Cows is a collection of 37 of my best flash fiction stories, edited, expanded, and just generally given more oompah and whatsis and shizzle. It's available in paperback for just $11.95.
My method is simple. I look for a picture, chosen at random from the Library of Congress, and write a story about the impression it gives me. A kind of Internet Truth or Dare, with the dare first, and the truth later. I write each one in the voice of the subject.
Here's a free sample, 2.7 percent of the book, and the reason for the title: The Devil's In The Cows
I TOLD THAT boy, I told him. You don't want no part of this farm, nor another. A farm is a jackplane for human boards. Wears you out like a sermon.It made ma mere old, and his mother, too. She was beautiful once. Gone to seed, now. The work wore at her. Not the work, no -- getting nothing for the effort but chapped grinds a person down. A farm is a twenty-five hour timeclock with no paycheck. She done it for me, and I done it for the farm, and for pere and ma mere, but it dies with me.It's a terrible thing to raise your own to disown you. The girls was no trouble 'cause all girls like frilly things and a farm is a dreary place. First magazine comes into a farmhouse with pictures of socialites, and daughters is plotting an escape. The only mistake they can make is letting some local boy convince them that he’s the ticket out of here. A wandering mind and a weak back is fine for a city dweller, but it's deadly out in the landscape. The farmboys with a touch of neon about them and their coquettes generally break down and wander back before they even get to a road with two stripes on it. We sent the girls to Augusta to school, and they found fellers with ink daubed all over them and we breathed a sigh."It's a boy!" my wife said, "We were blessed with a boy, Xavier, and he can help you." But I already knew in my heart that it was a curse, because I loved that boy so, before he was even borned, that I could never let him like me much.He had to see how hard life was here and so put aside a man's sneaky love for his father and go away someday.
I had to goad him from this place. That is a hard thing, my friend -- a hard thing.My father in his turn told me all of the things a man needs to know about a farm, in his mind, anyway. He loved it so, and tried to make me love it too. I loved him, truth be told, but hated his farm. But he got rheumy and I stayed on to help and eventually I slipped him in the ground and threw dirt on him like any other seed. By then it was too late to slip the orbit.So I shows my boy what's what, and drive him like a team from dawn to dusk his whole life. I gotta wear it out of him early. He learned everything about the old place, but it's all bad son, all bad, I says over and over. He'd keep even with me when he was only shoulder height, and I'd catch him sneaking a bed lunch for the power that was in it. I didn't know what to do with him after a while, to discourage him, for I could never bring myself to be mean with him -- never.Then the boy comes to me and says there's a war on, father, and I'm gonna go and kill a Boche or two. And my wish is granted and I curse the genie like all men do that go for a rub expecting a free lunch.The kids from the city will think it's a lark until they're pissing themselves in a trench, and could no more kill anyone than a kitten. That's good, and might keep them safe. But the boy’s never been afraid like that, and that's bad."You remember gran-pere, boy?""Of course, dad.""Well, I've never been no more good to you than a Pharaoh to a Jew, but now you have to listen to me.
Gran-pere he was wise about the world. It wasn't about knowing things; any damn fool knows things, some of them true. Gran-pere could feel things. He went beyond the knowing and let himself feel things. You got to do that. It's in you, I know it, because he drew it out of me, and you're mine.""I feel things, dad.""No, not like that. Not moonin' over the neighbor's girl or getting angry over the radio. It's sense -- like smell or something. It's not on purpose. Laissez faire, boy.""Dad, the train is leaving.""I remember when I was young and we was working, gran-pere would put his nose up in the air and mutter, “The devil’s in the cows.” The sky might be dead blue, not a puff of wind, six hours of work to be done, and we'd go inside; within an hour the heavens would open up and we'd watch weather as stupefying as any ten pages of the Bible from the parlor.""Goodbye, dad."I saw him sit, the familiar shrug of his blocky shoulders clear as day through the glass, and then the train slowly pulled away. He didn't look back.Oh God -- watch for the devil in the cows, son.
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